La biblioteca posee: V. 2, 3 y 4. La colección tiene un total de 4 vol.

Incluye índice alfabético.

Bibliografía, p. 350-369.

1. The Background of Modern American Literature: A New Land, A New Literature. — Society and Literature. — The Evolution of Modern American Literature. — Psycologists, Philosophers, and Prophets. — Main Currents of the Twentieth Century. — The Periods.

2. American Fiction in the Twentieth Century to 1930: The European Influences. — The First American Realists: 1870-1914. William Dean Howells, Henry James, Hamlin Garland, Stephen Crane, Frank Norris, Jack London, O. Henry, Edith Wharton, Gertrude Atherton. — First World War and the Twenties: Realists and Naturalists. Theodore Dreiser, Booth Tarkington, Upton Sinclair, Sinclair Lewis, John Dos Passos, F. Scott Fitzgerald. — First World War and the Twenties: Regionalism and Naturalism. Ellen Glasgow, Willa Cather, Ole Rölvaag. — The Reaction to Realism: Psycological and Romantic Fiction. Sherwood Anderson, James Branch Cabell, Katherine Anne Porter.

3. Drama in Transition: The Nineteenth Century. — European Influences. — The American Theatre in the Twentieth Century to 1930. Clyde Fitch, Eugene O'Neill, Elmer Rice, Sidney Howard, Philip Barry.

4. Tradition and Revolt in Poetry: The Heritage of the Nineteenth Century. — British Influences. — Continental Influences. — General Characteristics of Contemporary American Poetry. — History: The Little Magazines and Other Raylling-Points. — American Poets in the Twentieth Century to 1930. William Vaughn Moody, Edwin Makham, Edwin Arlington Robinson, Robert Frost, Carl Sandburg, Amy Lowell, H.D., John Gould Fletcher, Elinor Wylie, Sara Teasdale, Hart Crane, Edgar Lee Masters, Vachel Lindsay, Robinson Jeffers, Stephen Vincent Benet, Conrad Aiken, John Crowe Ransom, Edna St. Vincent Millay.

5. Modern Literary Criticism, Chiefly American: General Tendencies. — Impressionistic Criticism. — The New Humanism. — Psychological and Psychoanalytical Criticism. — Naturalistic Sociological and Marxist Criticism. — The New Criticism.

Idioma: Inglés