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  <titleInfo>
    <title>American moderns</title>
    <subTitle>From rebellion to conformity</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Geismar, Maxwell</namePart>
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  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="text">New York</placeTerm>
    </place>
    <publisher>Hill and Wang</publisher>
    <dateIssued>1964</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <extent>265 p.</extent>
  </physicalDescription>
  <tableOfContents>1: In general: Prologue. The hostile necessity.- The Mid Fifties.- The End of naturalism.- Higher and higher criticism.- The American conscience today.- The age of Wouk.</tableOfContents>
  <tableOfContents>2: Americans and moderns: Theodore Dreiser.- Ernest Hemingway.- John Dos Passos.- William Faulkner: Before and after the nobel prize.- Sinclair Lewis.- Thomas Wolfe.- By Cozzens possessed.- Further decline of the moderns.</tableOfContents>
  <tableOfContents>3: Newcomers. Norman Mailer.- John Hersey.- Nelson Algren.- J. D. Salinger.- Saul Bellow.- James Jones.- William Styron.- John Howard Griffin.</tableOfContents>
  <note type="statement of responsibility">by Maxwell Geismar.</note>
  <subject authority="lcsh">
    <topic>CRÍTICA LITERARIA</topic>
    <geographic>ESTADOS UNIDOS DE AMÉRICA</geographic>
  </subject>
  <subject authority="lcsh">
    <topic>ESCRITOR</topic>
    <geographic>ESTADOS UNIDOS DE AMÉRICA</geographic>
  </subject>
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    <recordIdentifier source="AR-RoIES">007723</recordIdentifier>
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